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On December 5, 2025, at 7 p.m., Studio Na Grobli at the Grotowski Institute in Wrocław will host a performance/installation entitled La Fin by Studio Wachowicz/Fret. PJAIT lecturer PJAIT Jakub Karpoluk is participating in the project.

The performance La fin concerns a deeply understood ecology of culture or, in the words of Jerzy Grotowski, interpersonal ecology. It is not only the ecology of behavior, micro- and macro-rituals, but above all the ecology of the communicative environment and the right to express oneself to others, which on the one hand constitutes the foundation of Western culture, namely personalism, and on the other hand reminds us that we create ourselves each time "in" and "thanks" to contact with other people. The performance uses about forty initial, several-second-long fragments of works that constitute the canon of Western musical culture. The actions during the performance will constitute a kind of act of ablution.

La Fin

Concept: Jarosław Fret and Monika Wachowicz

Stage movement, costumes, and performance: Monika Wachowicz

Music: Samuel Barber's "Adagio for Strings"

Text: excerpts from the Gospel of Thomas and Guy Debord's "The Society of the Spectacle"

Live music: Jakub Karpoluk (Japanese kotsuzumi drum), Jan Skopowski (cello)

Girl: Amelia Helena Mazur

Project funded by TEATROGRANTY 2024, Katowice City of Gardens, Jerzy Grotowski Institute in Wrocław, Monika Wachowicz Studio of Body and Emotion, and Studio Wachowicz/Fret.

Partners: BWA Contemporary Art Gallery in Katowice

A series of photographs from an experimental performance staged on a floor covered with a thin layer of water, with the audience sitting very close to the stage. The photos show an actress performing intense physical actions—walking barefoot on water, climbing metal tables, dragging materials, immersing her hands and body in water. Fragments of texts are displayed on the screen behind her, which are also reflected on her body. The lighting is theatrical and contrasting, and the space resembles a raw hall with a brick wall, metal structures, and visible stage equipment. The audience watches the performance up close, surrounding the stage on two sides.
"La Fin," a performance installation by Studio WACHOWICZ/FRET, Hommage à Kieslowski Film Festival, Sokołowsko, photo by Kazimierz Ździebło
A series of photographs from an experimental performance staged on a floor covered with a thin layer of water, with the audience sitting very close to the stage. The photos show an actress performing intense physical actions—walking barefoot on water, climbing metal tables, dragging materials, immersing her hands and body in water. Fragments of texts are displayed on the screen behind her, which are also reflected on her body. The lighting is theatrical and contrasting, and the space resembles a raw hall with a brick wall, metal structures, and visible stage equipment. The audience watches the performance up close, surrounding the stage on two sides.
"La Fin," a performance installation by Studio WACHOWICZ/FRET, Hommage à Kieslowski Film Festival, Sokołowsko, photo by Kazimierz Ździebło
A series of photographs from an experimental performance staged on a floor covered with a thin layer of water, with the audience sitting very close to the stage. The photos show an actress performing intense physical actions—walking barefoot on water, climbing metal tables, dragging materials, immersing her hands and body in water. Fragments of texts are displayed on the screen behind her, which are also reflected on her body. The lighting is theatrical and contrasting, and the space resembles a raw hall with a brick wall, metal structures, and visible stage equipment. The audience watches the performance up close, surrounding the stage on two sides.
"La Fin," a performance installation by Studio WACHOWICZ/FRET, Hommage à Kieslowski Film Festival, Sokołowsko, photo by Kazimierz Ździebło

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